The Force Was Female: How Wokeness Made Itself the Author and Killed the Story
Wokeness is not the cause of bad modern storytelling. It is a style of bad modern storytelling, and the style has a mechanism. A doctrine captures the profession, installs a compliance department that scores scripts against ideology rather than craft, and produces work optimized for the doctrine and degraded for the audience. The signature is the empty room: a void where the character should have been, surrounded by men flattened into props so the void can be called a heroine. The pattern repeats across every franchise the doctrine has touched, and it is the same pattern visible in every captured institution. The exit is not to petition the institution. The exit is to build the parallel thing, make it well, and make it for the audience the institution forgot.